Tilman : Expander with Urban Structure 2, The House of Art Ceske Budejovice (CZ), 2008
Rose Olson: Double Orange Left, Acrylic on Paper, 41 x 26 inches , 2005
Julian Jackson: Interior with Orange, Oil on Panel, 36 x 38 inches
John Tallman : Ssamzie Shape , mixed media , 7 x 6 inches, 2004
Joanne Mattera : Silk Road 99, Encaustic on panel, 12 x 12 inches, 2008
Rossanna Martinez : Crash Into Me, Fluorescent orange and hot pink ribbons,
Pratt Manhattan Gallery, New York, NY, 2007
Steven Alexander : Sage, acrylic on canvas, 48 x 60 inches, 2006
Jeff Kellar: Fold 16, Resin, Clay, Wood , 7 x 7 x 4.5, 2007
Julie Gross : #115, Gouache on Paper, 16 x 16 inches, 2008 , Courtesy of Kenise Barnes Fine Art
Following is an excerpt from a conversation between Chris Ashley and Tilman,
Tilman, by Chris Ashley
MINUS SPACE, June-August 2006 :
CA: The color is material, first. It could be the natural color of the material, or painted, or printed, or the color is applied in some way. It’s a property of the object. Of course, color is made possible by light, but how does the color move from being a physical thing to being simply light?
T: In early Greek philosophy, light is described as the fourth element, the ether; they called it Olkas, a carrier which holds all together. That’s what I am trying to say with simply light, making a reference to this thought. So color, yes, as a material it becomes a carrier of thought, something essential, so to say.
And finally, as August steamrolls past us, Julie Gross sums it up:
"...Orange...the warmest color
:: Happy Summer Days ::